Bayat-e Esfahan

Bayat-e Esfahan (Persian: بیات اصفهان) is one of melodic pieces of Iranian traditional music, known as a branch of Dastgah-e Shur or Dastgah-e Homayun. Some musical theorists consider the Bayat-e Esfahan an independent dastgah within the Persian radif system.[1]

Features

Ruhollah Khaleqi has noted that this mode conveys the emotional capacity of both happiness and sadness.[2]

Branches

Bayat-e Esfahan has a number of branches or gushehs, including:

  • Daramad-e avvval (first preface)
  • Daramad-e dovvom (second preface)
  • Jame daran
  • Bayat-e Raje
  • Oshagh (owj)
  • Bayat-e Shiraz
  • Suz va Godaz
  • Naghme
  • Masnavi
  • Sufi name (or Saki name)

References

  1. ^ "BAYĀT-E EṢFAHĀN". Encyclopaedia Iranica.
  2. ^ الله،, خالقى، روح (2011). A look at Iranian Music. p. 181. ISBN 9789649682600. OCLC 956997616.
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Radif
Dastgah
Dastgah
Āvāz
  • Avaz-e Dashti
  • Avaz-e Abu'ata
  • Avaz-e Bayat-e Tork
  • Avaz-e Afshari
  • Avaz-e Bayat-e Esfahan
  • Avaz-e Bayat-e Kord
  • Shushtar
  • Bayat-e Kord
  • Bayat-e Qajar
  • Nava-e Nishapur
  • Rahāb
Gusha
  • Jāmadarān
  • Deylaman
  • Delkash
  • Dād
  • Bīdād
  • Darāmad-e Ḵārā
  • Darāmad-eZang-e Šotor
  • Ḥeǰāz
  • Čahār-bāḡ
  • Kerešma
  • Bozorg
  • Neydavood
  • Golriz
  • Persian scale
  • Persian traditional music
  • Great Book of Music
  • Tasnif


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